In 2014 I spent two weeks camping in the Serengeti National Park and I had the opportunity to visit the base of Mount Kilimanjaro. It seemed so out of place to have this lifeless glacial peak surrounded by open planes and riverine forests teaming with wildlife.
To load the film requires me to remove my gloves. Soon after I remove my gloves, my hands begin to shake. All around me the white out goes a-shivering and a-howling, and the prayer flags are flapping blue white red green yellow. The ambitious ascent of 2000 metres over the past days has me feeling dizzy and disoriented— I load the roll of film incorrectly.
“During my first trip to Morocco 2014, I thought I wouldn’t be able to stand the stress my camera caused, with all its continual negotiations. On my return trip two years later, I found that if I wanted to make images that showed more than souks and camels in the desert, I had to learn to relax in chaotic places.”
Sri Lanka is a changing country – the recent flux of tourism has undoubtedly caused the country growing pains, however some local hotels are striving to value and maintain the economy and ecologies that make the place such a destination.
On one side of the Rio de la Plata sits the giant Argentina, with its cultural strength and breathtaking landscapes.
On the other side, more reserved and characterised by a tender humility, sits Uruguay, with its discreet beauty, wild landscapes, and varied fauna and luxuriant flora.
It seems to me that this is the golden age of amateur photography. How do professionals, that is those who are committed documentary, editorial, photojournalists, how do we go about telling stories that are convincing and compelling in a visually saturated environment?
National Geographic photographer Sam Abell has defined his career with patience. There is no dull section of a Sam Abell photograph, the frame is layered from back to front with compelling imagery. This can be a slow process, it can take days, weeks, or in some cases months for the right opportunity to present itself.
We live in a frame of mind which is determined by where and when we’re born and the kind of culture we are exposed to. Seeking what we might be outside of this frame is what I’m trying to do in my solo trips.
Sherpa director Jennifer Peedom continues to document our relationship with risk in her new film Mountain
Just three centuries ago we were terrified of mountains because gods and monsters lived there, yet in this incredible short period of time we’ve come to throwing ourselves off them.
Q&A is a photographic project that explores the semi-fictionalised, hyperreal version of America that people hold in their heads.
As a solo traveller, I was really enjoying getting lost into filming. When you turn up to a place with a camera (I didn’t the first time), you observe things in a different way. You really look at everyone and what they’re doing
It’s been three years since I’ve been travelling alone. A lot of people ask whether I felt lonely during these trips. I went to the French Alps and stayed in a cabin alone for a month but felt neither alone nor scared. I’m surrounded by the splendour of nature and I meet beautiful and interesting people.
My feet were in agony, my fingers once again were being stabbed by the cold. Putting my pack back on will remain one of the most demoralising things I’ve ever had to do.
The greatest part of any adventure is the unknown: a real adventure comes from no plan, spontaneity in decision-making, meeting people from all walks of life, interacting with cultures or religions that you previously haven’t, and a sense of resetting your life with each new place or journey.
There were many rafts over the course of the four years and all were built with salvaged materials. The construction boom happening in NYC in the mid-2000s provided a lot of scrap material that we pulled from dumpsters.
Meet the junk rafts and gutter punks of the Venice Canals
There were many rafts over the course of the four years and all were built with salvaged materials.more
I have selected twenty photographs from my journey to the Philippines and Japan and have related these to twenty of the songs which always accompany me.
I try to never lose the ability to wonder or to be amazed by people I meet and places I come across, even in my own street.
I love the unexpected, uncontrollable moments that just happen. That’s why I suppose spontaneity is really the crux of the best art I’ve done. That, and I just really love the process of making things.
My self-portraits help me live with myself a little better. I escape my own internal negative filter of feeling flawed, undesirable or broken, into just feeling human.
Sydney based photographer Karina Illovska went to Guatemala through Photographers Without Borders to document the work of Mayan Families.
In the past the air quality was very bad. There was this saying that if you put a white shirt out in the garden to dry when you came out it would be grey or black.
There are countless stories that tell of a young man, lost and uncertain, who sets out on a whirlwind adventure and figures out who he really is. It is a sad reality that amongst the great classic adventure stories, very few (if any) of the protagonists are female.
Behind many of my most worthwhile images there was a journey leading up to it that involved some sort of hardship, whether physically or mentally.
Without a doubt, choosing to travel has produced the most imaginative, intoxicating, and illuminating experiences in my life. It has given me love, compassion, knowledge, power and pain.
It’s my third trip here and I’ve heard the same story dozens of times : Cubans feel stuck and unable to move forward; like they’re trapped in a natural paradise. In the meantime, life goes on.
I spent years of my childhood pouring over atlases and leafing through National Geographic Magazines which ignited my travel lust. Experiencing different landscape, smells, sounds and cultures first hand makes the world seem both big and small.
Idle Theory Bus
Do I have a home? It’s hard to say. I live in a 1976 bus named Sunshine with my boyfriend James.more
As humans we are attracted to darkness but want to observe from a safe distance. Only when danger is close enough, we’ll use our intelligence to come up with solutions.
I perceive my photographic work through a director’s eyes, however, the difference in my vision, is that the whole world is a stage. It’s an intense sensation of “limitless”. I like to recreate a fantastic universe of dreams and travels.
Far from civilization and mostly accessible only by foot, bothies are secluded mountain shelters scattered across the British Isles, tirelessly maintained by volunteers from the Mountain Bothies Association.
Arriving back in Marrakech, I felt like I had truly been to outer space and back; I felt like I had seen landscapes that could not exist on our planet. I felt like I had stepped both back and out of time and had seen and briefly experienced a different way of living, of one without time and without fear.
Having grown up here, was quite different from how it’s represented and how people view it from outside, specifically in regards to the rural areas. And this concerned me.
I spend my evenings seeking the elusive Northern Lights, mapping my routes, charging my batteries, and getting ready to wake before sunrise to start my day.
Photography is a fiction. It’s a frame of a film which hasn’t been made, or a line from a forgotten poem. I always create in camera as much as possible, because it is also about the experience of what is in front of you at the time.
After driving through so much of the country I was fortunate to see dozens of different environments and lifestyles and meet many new people, some of whom I was able to photograph. This collection of images is a sample of the America I saw during those two weeks on the road.
“Lately I have spent some time with people who believe they are their ancestors. They believe they are the same entity passed down through bloodlines from one person to the next, mapped from generation to generation.”
Adventure has given me the opportunity to develop my character as a person and as a professional; discovering my interest in exploration came late on in my life, I was tired, impatient and my priorities were all wrong.
Rum, revolutionaries and retro cars – Cuba has a back-in-time appeal. Though a trip to Cuba seems undoubtedly romantic and exciting, you’ll need to understand how the island works to get the best out of your visit.
It’s a sad day when you feel embarrassed to talk about the place you call home because it has the cruelest treatment of refugees on the planet. We hope in some small way our photos can open up further dialogue about treating refugees more humanely and create social and political change.
Tony Butt is sure an impressive human being, not only because he rides waves the size of three-story buildings, but for the humble and extreme, mundane and exhilarating, sustainable unsustainable life that he leads.
Théo de Gueltzl started his journey one year and a half ago in Los Angeles. He bought a Toyota Pick Up, built a wooden structure to fit a mattress and a life on the road.
Destroyed during the South Sudan civil war, this once bustling town in the middle of country’s oil region is now littered with the rusted frames of burnt out cars and shot up houses.
It’s surprising to see a lot of people’s living spaces of a certain age – what they surround themselves with and how they decorate their houses. They’re like living museums. It’s often an incredible level of chaos and madness that they live amongst
I loved the contrast between the peaceful Japanese nature and the grotesque mess of sexual, horrifying and DIY characters. The next day I bought more rolls of film and missed the train for a second night in a row…
I don’t know whether it was the heat or just a technical malfunction, but when the two batteries for your camera die on the first day of a trip around Cuba it’s the beginning of a nightmare.