It’s surprising to see a lot of people’s living spaces of a certain age – what they surround themselves with and how they decorate their houses. They’re like living museums. It’s often an incredible level of chaos and madness that they live amongst
Unless you are born on this soil and have Japanese blood running through you, you will always be an outsider. I’m a quarter Korean, quarter Japanese, half American.
I had heard about this town called Nanjiecun, reported as being the last communist village in China, and that was my trigger to go, “Alright, I’m going to go check this out.”
I use that same word when I talk about travel – luxury. It’s such a white man’s headache you know, like, it’s not hard. People say “How did you do that? That’s so hard.” And I think, “Well there are some cold days, some warm days, you know..” But it’s my own choice, and it’s a privilege entirely.
For many, the places I work in are seen as an uncomfortable and difficult life. However for me it’s when I am most in my comfort zone, I crave these spaces…
For the uninitiated Hipgnosis was the art design team responsible for designing some of the most iconic album cover art for some of the most influential and successful musical acts of all time.
We have searched for sources and proof of the mystique everywhere from norse mythology to pagan religions, from contemporary popular culture to spiritual postcards in gift shops.
Porter Yates is a photographer, and Dan Melamid is a director. They have been friends for many years, and both share a passion for travel and visual storytelling. Through Witness.Earth they have collaborated to develop a new style of photographic presentation to music.
Thematically, (Katrin’s) work is concerned with ideas of Australian regional and remote communities in socio-economic transition in the 21st century; experientially, it is an exploration of photographer’s familiarity with her new home country.