National Geographic photographer Sam Abell has defined his career with patience. There is no dull section of a Sam Abell photograph, the frame is layered from back to front with compelling imagery. This can be a slow process, it can take days, weeks, or in some cases months for the right opportunity to present itself.
Sherpa director Jennifer Peedom continues to document our relationship with risk in her new film Mountain
Just three centuries ago we were terrified of mountains because gods and monsters lived there, yet in this incredible short period of time we’ve come to throwing ourselves off them.
Q&A is a photographic project that explores the semi-fictionalised, hyperreal version of America that people hold in their heads.
There were many rafts over the course of the four years and all were built with salvaged materials. The construction boom happening in NYC in the mid-2000s provided a lot of scrap material that we pulled from dumpsters.
I love the unexpected, uncontrollable moments that just happen. That’s why I suppose spontaneity is really the crux of the best art I’ve done. That, and I just really love the process of making things.
My self-portraits help me live with myself a little better. I escape my own internal negative filter of feeling flawed, undesirable or broken, into just feeling human.
In the past the air quality was very bad. There was this saying that if you put a white shirt out in the garden to dry when you came out it would be grey or black.
There are countless stories that tell of a young man, lost and uncertain, who sets out on a whirlwind adventure and figures out who he really is. It is a sad reality that amongst the great classic adventure stories, very few (if any) of the protagonists are female.
Behind many of my most worthwhile images there was a journey leading up to it that involved some sort of hardship, whether physically or mentally.